Durant Family Saga
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Let's Get This Straight: I Wrote a Trilogy

1/24/2019

 
Picture
I stumbled upon a review of my first novel in the Durant Family Saga: Imaginary Brightness.
It was not entirely unflattering, not glowing either, but  I appreciate anyone taking the time to post on social media their opinion of my chronicle of the family of the famous robber baron Dr. Thomas C. Durant. However, I realized while reading it, the reviewers were dismayed I ended the story abruptly because they wanted to know more about what happened to Durant family siblings.

So to be clear, readers, understand this: I am writing a trilogy. I had to. I don't like reading long books. Maybe that's why, in a recent visit to the library, I picked up The Gilded Hour, Sara Donati's 737 page fictional tome about two spinsters, both medical doctors working in New York City in 1883.  I started reading it against my good judgement and have not been able to put it down since. This does not bode well for me, as I have to finish other books for work, and for my monthly book club meeting.

In all fairness, I can't behoove any author who chooses to write these long works of fiction. If one has the time and inclination, one can get caught up in a time and place for hours, days, and at the rate I read, weeks.

But when I had to decide what to do with all of my research, I decided early on to write a trilogy. I had too much material to cram into one book, or so I thought, knowing I favor books that are 300 pages in length. And there has been an advantage to me to do so.

Firstly, I keep discovering new material. Old newspaper articles that I may have missed before pop up in my research to reveal that one of my characters spent time training to be a nurse in England. An archivist for New York City court emails me he found a long lost divorce case file, it took me months to track it down. I had time. It all unfolds out in book three.

Secondly, the brief interlude between books allows me the luxury to mull over my characters and their motivations. A recent breakfast meeting with one of my beta readers changed my whole perspective on how I was planning to write the narrative of the downfall of one of my main characters in book three. We contemplated: was he an egotistical maniac or a true artist at heart?

These types of meandering thoughts come at a snail's pace. They don't just pop up in my head without a lot of debate and contemplation. I like the process of peeling away at the characters in my story, one book at a time. And I like the idea that my novels are readable in one month for those people, like me, who live busy lives.

I'd hate to think people might be racing through my descriptive narrative to get to the end of the story, which is what I sometimes find myself doing when I become impatient with a novel. Or maybe I'm just spoiled, like so many people these days, expecting instant answers to my question: what will happen next?

To be honest, I'd have to admit that at least the author of The Gilded Hour provided me closure in one reading. My poor readers had to wait until I figure out how to write the last book in the trilogy. Lucky for them, the third book, The Night is Done, is now available.

Yellow Journalism and Fake News

2/23/2018

 
PictureWilliam Randolph Hearst 1904. Source: Wikimedia
I was reading a newspaper article about a divorce case in 1898 and was struck how it sounded like what editors call ‘purple prose’; or a flowery language that draws attention to itself. This type of writing was all the rage at the time, thanks to newspaper moguls William Randolph Hearst and Joseph Pulitzer.
Hearst inherited the San Francisco Examiner from his father in the 1880s. In 1896, while Hearst was trying to develop a readership on the east coast, he sent his cracker-jack reporter, Ambrose Bierce to investigate and verbally flay in the press railroad tycoon Collis P. Huntington.
Huntington — by then in his late 70s, had the misfortune of being one of the few men who built the transcontinental line and was still alive to testify about it to a newly formed Pacific Railway Commission. By the 1890s, the U.S. government was pushing for repayment of millions in bonds owed to them from the Union Pacific and the Central Pacific railroad companies.Huntington was flagrantly avoiding paying the money back, using intimidation and bribery to buy off members of congress so that he could ‘delay’ the repayment for the bonds another 75 years.Along comes Bierce, who startled the readership with his acerbic and prolific abuse of Huntington in the press. Calling Huntington a ‘inflated old pigskin’, and ‘promoted peasant’, he never let up, even when Huntington, in a historic scene Bierce relayed to the press, offered to bribe him to keep his mouth shut. Bierce famously told Huntington: “My price is seventy-five million dollars …. you may hand it to my friend, the Treasurer of the United States.”

PictureCartoon Caricature of Huntington from the San Francisco Examiner, 1896.
Randolph Hearst acquired the New York Journal and competed with Joseph Pulitzer, who owned the New York World, to hold readers’ interest. To keep their fans loyal, reporters for both papers wrote in a form now dubbed ‘Yellow Journalism’. Stories were embellished, crime and scandal became front page news.Hearst was so good at attracting readers with titillating headlines he is even credited with instigating a war between the U.S. and Spain in 1898. During the Cuban War for independence from Spain, Hearst’s papers agitated for intervention and reporters wrote outright lies about incidents involving Americans in Cuba, including that they were being rounded up at sent to concentration camps by Spanish authorities. The public ate it up, newspaper sales sky-rocketed. It all came to a head when the U.S. sent the USS Maine to the shores of Cuba, a show of force from the U.S. to protect American citizens living in Cuba from Spanish atrocities as reported in the papers. When an explosion of unknown origin blew up the Maine, the public were outraged. President McKinley was drawn into a civil war he was reluctant to engage in.

If any of this sounds familiar its because things haven’t changed too much since 1895. The more scandalous the headline and prominent the figure involved the more likely a reader will click on the headline in today’s digital world. It’s about money, not integrity. It takes an educated populous to know the difference when discerning the sources and intention of the journalist.


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    Sheila Myers  Professor at Cayuga Community College in Upstate New York.

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